Stephansdom etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Stephansdom etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

11 Aralık 2010 Cumartesi

istanbul calling/vienna calling/sf silent; gazing towers


"Go then, there are other worlds than these."
— Stephen King (The Gunslinger)

"There is some good in this world, and it's worth fighting for."
Sam, Lord of the Rings, The Two Towers"
J.R.R. Tolkien (The Return of the King)


"A coward judges all he sees by what he is."
Stephen King (The Dark Tower)

galata kulesi / galata tower, istanbul

stefansdome, vienna




Leander's Tower (Tower of Leandros)
The Maiden's Tower (Kız Kulesi)


Leander's Tower (Tower of Leandros)
The Maiden's Tower (Kız Kulesi)
depicted to the right; in the sea

Lawrence Weiner, Vienna, 1991, Wiener Festwochen, Flakturm im Esterházypark. Photo by Christian Wachter.

coit tower; sf; art deco

the light reveals a secondary horizon / stefansDome

(so, i did manage to mess up my cell phone's message system... i guess i need to slow down and keep it to myself if i ever can...)

from stefan's dome i met this cloud-factory just below the horizon. i now know how the clouds are made!

and with a trick of sunlight a horizontal fragment of the city was transformed into an eastern palace. somewhere between a palace and a kingdom. somewhere between the ottoman palace and the lord of the rings.

the wind. the fucking cold wind on the dome was amazing. it cold have just taken us away. far and away and there we go.

the flacturms looked tantalizing. bulky and dark and had an interesting materişal presence.

i just watched how clouds were made just below the horizon. and saw Don Quixote de la Mancha to the left. he was fighting a wind-mill.

with a trick of the mind the city trascends its own bondage in matter. a slippage into the semantic horizon. the slippage to the imaginary. between fact and fiction lies the land of the fool and the brave. lies the land of the eternal wanderer.

the view from the stephen's dome can make a poet out of a wanderer. reach out to the snowy mountains. it is the siege of the sky and the sun! the most beautiful siege. that of the light. i adore light. a dramatic light, that was. constantly changing the perception of the lanscape. mingling it with fantasy. as far as the eye can see, as wide as the horizon of the imaginary.

actually what happened was:
the light revealed a second horizon. where an eastern palace might still be shining under a moonlight. tonight.

and siege is not the right word. i would rather call it "surrender"
the city surrendered willingly to the sun. to the wind. to the powers beyond our reach.


a crescent, a star, and battles in between

During the centuries St. Stephen acquired many different meanings and one of these is the memory of the wars against the Ottoman Empire. Vienna was besieged twice in history by Turkish troops, in 1529 and 1683. At the top of the southern tower there was a certain symbol, a crescent and a star until 1687. After the 2nd siege the citizens of Vienna did not want to see this symbol for the pope and the emperor that remembered them of the Muslim invaders. Some Turkish cannon balls are integrated in walls of the cathedral and the biggest bell, the “Pummerin” was made 1711 out of the metal of turkish cannons and stayed in the southern tower until its destruction in 1945. The best known general of the Habsburg monarchy in the wars against the Ottoman Empire, Prince Eugen von Savoyen, is buried inside the dome in the Tirna-Chapel since his death in 1736.

Still strongly present today is the former cemetery around St. Stephen in form of tombstones on the walls inside and outside. They are dedicated to citizens of Vienna, professors of the university as the humanist Konrad Celtis. The cemetery dates back to roman times and was shut down in the 18th century, when the surrounding houses around the cathedral were removed; in the second half of the 19th century the Graben was connected with the Stephensplatz, allowing the famous view of the dome from the southwest. Over 900 inscriptions of graves on the dome are a hint that St. Stephen was an important site of remembrance of relatives.

The Burning Cathedral in 1945

The Cathedral during recent Centuries

In the course of the centuries St. Stephen was damaged by wars, earthquakes, smoke and the weather; the troops of Napoleon for instance shot at the southern tower and damaged it so badly that it had to be partly reconstructed at the end of the 19th century. Responsible was the master builder Friedrich Schmidt, an architect that constructed a big number of churches in Austria. This is only one example for the fact that the cathedral was being conservated by constant change as society is. In the 20th century there should be some changes that deeply affect the cathedral and Austria.

No damage took the cathedral during WW1 and during the time between the wars. The bombing raids that began 1943 during WW2 did not damage St. Stephen either, only as soviet troops attacked Vienna and the “Battle of Vienna” began, the dome was repeatedly damaged by artillery and bombs without much destruction at first. The water supply of the dome, however, was severely hit, leaving the fire fighters without means to fight any burnings. The truss was impregnated by a special chemical product made by IG Farben that should reduce the inflammability of the wood that survived so many centuries. Important pieces of art, such as the tomb of Friedrich III. were secured by surrounding walls of bricks. One day after the first soviet soldiers set their feet on the place before St. Stephen, on the 11thof April 1945, the southern tower was hit several times and surrounding houses started to burn. The fire widened until twilight and the southern tower caught ire. Some fire sources developed quickly, the bells fell down and were destroyed, among them the famous “Pummerin”. On the 13th of April a wall made of bricks in the truss above the eastern choir collapsed and destroyed parts of the middle- and southern choir. The catastrophe did a lot of damage to St. Stephen, the centuries old truss, four of the nine bells, parts of the choirs and many pieces of art were destroyed.

http://hubpages.com/hub/St-Stephens-Cathedral-in-Vienna-Part-2

Was Evliya Çelebi mit dem Stephansdom machen will

http://fact-fiction.net/?p=3052

i tried the google translator... doesnt make sense really... so lets try to keep it here to come back to it later with some more undertstanding of german

Was Evliya Çelebi mit dem Stephansdom machen will

11.10.2009

Die gläubigen Muslime haben sich die letzten 500 oder 1000 Jahre nicht verändert. Wir haben über Evliya Çelebis Buch Im Reiche des Goldenen Apfels. Des türkischen Weltenbummlers Evliâ Çelebis denkwürdige Reise in das Giaurenland und die Stadt und Festung Wien anno 1665 z.B. da bereits geschrieben. Der türkische Reisende war ein Münchhausen, und man darf nicht alles glauben, aber in Wien war er schon. Und so lobt er in seinem Buch den Stephansdom und dessen Turm und Glocken in den höchsten Tönen seitenlang. Man staunt:

In Wien gibt es im ganzen sechsundsechzig Kirchen mit ihren Patriarchen und Metropolitenl, diesen schmutzigen und widerspenstigen Priestern der Christen. Sämtliche dieser sechsundsechzig Kirchen sind von verschiedenen irrgläubigen Königen gestiftet, Häuser des Unheils und Stätten des Aberglaubens. Außer diesen findet man innerhalb und außerhalb der Stadt noch dreihundert kleinere Kirchen. Alle zusammen werden sie aber in den Schatten gestellt von dem sogenannten Stephansdom, der genau in der Mitte der Stadt steht. Niemals ist in der Türkei, in Arabien oder Persien, im übrigen Giaurenreiche oder sonstwo in den sieben Zonen unserer Erde ein derartig riesenhafter Bau und ein solch altehrwürdiges Kunstwerk errichtet worden und wird auch niemals mehr errichtet werden. Alle Reisenden der Länder und Meere meinen, daß diese Kirche in der ganzen bewohnten Welt ihresgleichen nicht hat. Und das stimmt wahrhaftig…

So schreibt er 20 Seiten voller Bewunderung weiter, aber am Ende des Abschnitts staunt der Leser nicht mehr, denn Çelebi sagt unverblümt, was er will:

In seinem untersten Geschoß ist dieser Glockenturm so dick wie der Galataturm zu Stambul; indessen ist er viereckig und aus schwarzem Stein erbaut. Auf diesem Fundament steht ein schmäleres Stockwerk, auf diesem wieder ein schmäleres, und so geht es weiter bis hinauf zur höchsten Spitze, im ganzen siebzehn Geschosse, das nächste jeweils schlanker als das vorige, und das allerschmalste ist das letzte, auf dem jene Goldapfelkugel aufgepflanzt ist. Von dieser höchsten Spitze aus kann man gegen Osten hin in einer Entfernung von drei Tagreisen noch die Festungen Preßburg und Bruck erkennen, im Norden ist die Ebene bei Neuhäusel sichtbar und im Westen sogar noch das Prager Gebirge. Eine derartige Höhe hat dieser prachtvolle Glockenturm. Möge Allah der Allerhabene gewähren, daß er dereinst zu einem Minarett umgewandelt wird und daß von ihm dereinst der muhammedanische Gebetsruf erschallt — Amen !

Ich bin absolut sicher, daß sämtliche Moscheen in Wien und Umgebung heute noch genau dasselbe denken!