"In (nostalgia), Frampton is clearly working with the experience of cinematic temporality. The major structural strategy is a disjunction between sound and image. We see a series of still photographs, most of them taken by Frampton, slowly burning one at a time on a hotplate. On the soundtrack, we hear Frampton's comments and reminiscences about the photographs. As we watch each photograph burn, we hear the reminiscence pertaining to the following photograph. The sound and image are on two different time schedules. At any moment, we are listening to a commentary about a photograph that we shall be seeing in the future and looking at a photograph that we have just heard about. We are pulled between anticipation and memory. The nature of the commentary reinforces the complexity; it arouses our sense of anticipation by referring to the future; it also reminisces about the past, about the time and conditions under which the photographs were made. The double time sense results in a complex, rich experience." - Bill Simon
imaginative etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
imaginative etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
13 Ocak 2011 Perşembe
12 Aralık 2010 Pazar
glorification of the Turkish simit / the viennese-turkish connection
the glorification of the Turkish simit by the Austrian eagle
if you come acroos a fallen simit; pick it up and put it up by a window; a reflex; a habit; the 2nd district; pazmaniten strase october 2010; ev.k has just arrived in this city of the subconscious
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ısırılmış ve düşürülmüş simit
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"You ought not to be rude to an eagle, when you are only the size of a hobbit, and are up in hid eyrie at night!"
— J.R.R. Tolkien (The Hobbit: Or There and Back Again)
"Sometimes I fly like an eagle but with the wings of a wren"
— Anne Sexton (The Complete Poems: Anne Sexton)
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"Great men are like eagles, and build their nest on some lofty solitude"
Arthur Schopenhauer
